Prepping for a Shift

Stack shifts and moves are an inevitability in libraries.  Collections change.  Spaces change, more often than not becoming too small for the collection(s).  And in the end a shift of collections is imminent.  For most collections these stack shifts do not require the intervention of a conservation lab.  Periodical bindings moving to another floor?  It happens all the time and that’s that.  But when special collection items are shifted or moved, the Preservation Lab generally plays a part.  So when UC’s Archives and Rare Books Library decided to move and shift the bulk of their oversized special collections between stack levels the Lab was contacted to play a part in the prep work.
The plan? To measure and box as many unstable or unwieldy oversized books that will be moving between floors or shifting within narrow, restrictive shelving stacks before the move in April.  In order to keep our current workflow of treatments (both general circulating and special collections) for both institutions going, it was decided that a couple of lab staff would measure the books on-site (ARB Library), have corrugated enclosures created through our commercial bindery vendor, and then as the boxes were received the staff would match up the books with the boxes.  Three staff members, Holly Prochaska (librarian), Veronica Sorcher (technician), and myself, took on the duty of assessing the books and taking measurements for those we felt could easily hinder the move or be damaged further by handling and moving.

MeasuringSetup

Measuring in the stacks and making do with the space you have.


At this point we are about half way through the process.  We’ve measured over 750 books for enclosures!  We enlisted one of our trusty student assistants to record all the data so that we could send it off to the commercial binder.  The first batch of 150 boxes arrived and were matched up with the books earlier this week.  And luckily, our error rate was actually very low, even with that first batch where we were still figuring out the kinks of measuring in confined spaces and often dim lighting!
What’s the workflow like?  Each person has list of numbers that correspond to the number the binder prints on the inside of the enclosure, per our request.  For each number, the staff member records the call number (to be printed on the spine of the box), along with the height, width and thickness of the book.  A flag with that number written on it (in pencil, of course) is then placed in the book so that it is visible on the shelf and clearly recognizable when matching the boxes to the books.  So far, the process has worked pretty well.
What kinds of things are we prepping for storage and handling?  Prime candidates for move-prep housing include…

  • Any book previously tied with cotton tying tape, usually to hold a detached/loose board or textblock in place.
    In this case, boards were detached from the spine/textblock. But let’s just talk about the reason I really took a photo of this book on Christopher Columbus…the anchor clasps and catches! How cool are those?

    In this case, boards were detached from the spine/textblock. But let’s just talk about the reason I really took a photo of this book on Christopher Columbus…the anchor clasps and catches! How cool are those?

  • Any book with loose, detached, or protruding parts that could be abraded, damaged further, or lost during the move.
    When I originally pulled this book off the shelf the measure it the corner was nowhere to be found, but I found it a couple shelves down resting on top of another book.

    When I originally pulled this book off the shelf the measure it the corner was nowhere to be found, but I found it a couple shelves down resting on top of another book.

  • Any extremely fragile or flimsy books, including extremely oversized, thin bindings or bindings with fragile paper or degraded leather covers.
    This full leather binding must have been fire damaged at some point. The leather on the spine was so fragile and would crack and break if you looked at it the wrong way.

    This full leather binding must have been fire damaged at some point. The leather on the spine was so fragile and would crack and break if you looked at it the wrong way.

  • The evil monster known as RED ROT!
    RedRot_2

    Obviously not all books with red rot were boxed, especially those with very minor cases. But books like this, where the movers and every book in the surrounding area would be covered in a red layer of degraded leather…those get boxes!

If you’re interested in seeing more snapshots from our adventures of measuring in ARB, check out the Preservation Lab’s Instagram, here.
Jessica Ebert (UCL) – Conservation Technician

Tiny Tomes – Now on Display!

There’s an exciting new Public Library exhibit located in the Popular Library in the Main Library building downtown. It’s titled, Tiny Tomes  and includes over 50 small books that are part of the reference library collection. There are a variety of subjects, binding styles, and time periods represented. Topics include sport flip books, lichens & ferns, children’s books, and many more!
This past week, the Preservation Lab assisted with preparing the books for display. Once the layout of the show was established and pages were selected for display, I helped strap bindings with soft polyethylene strapping and showed staff how to use various supports made out of Vivak and archival mat board. These supports were made beforehand in our lab by lab technician, Chris Voynovich.  Since we knew the overall size of the books were generally 4 x 6 inches, a variety of general supports were constructed out of lab scraps rather than custom fitting the supports to each book. This greatly expedited the process of making the book cradles.
Out of approximately 40 constructed supports, every single one was put to use!  There were V-shaped supports used to hold books open while lying flat, U-shaped supports to lift up books, triangle shaped supports to act as cradles, and other supports to hold books safely upright.
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Some books were too fragile to be opened or had more than one page to exhibit. As an alternative to displaying interior pages, some of the books were scanned by Digital Services and surrogates were printed. These images are also available online, located here: http://cdm16998.contentdm.oclc.org/cdm/landingpage/collection/p16998coll52.
The exhibit runs from Jan 18th to March 13st. While you’re at Main Library, be sure to check out the Smallest Book on exhibit in the Cincinnati Room, located on the 3rd floor!
Ashleigh Ferguson Schieszer (PLCH) – Book and Paper Conservator

Mounting a Microscopic Book

One of the treasures I was recently asked to prepare for display was a book called The Smallest Book in the World. The library owns two copies printed by German typographer, Josua Reichert. The tiny book contains typography that was uniquely designed specifically for the binding. Each page contains a CMYK colored alphabet letter in an exquisitely designed font. While not currently the smallest book in the world, it is probably the smallest traditionally printed edition!

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Paper making in the lab

In April the Provost Office awarded the lab funds to purchase paper making equipment through the Third Century Faculty Research Materials Grant.  Over the next six months the lab intends to establish a workflow for paper making so that we may begin producing our own archival quality papers for conservation treatments.  With the grant monies we purchased a Hollander beater in July, and yesterday the other pivotal piece of equipment arrived, a hydraulic press.  The beater masticates fibers, that with water, create a fiber slurry that is poured into a mould.  Each mould forms a single sheet of paper that is then pressed to remove the excess water –  further bonding the fibers and creating a smooth surface.
More information as we begin our experimentation!
Beater on cart

hydraulic press

Our hydraulic press was made specifically for the lab by our amazing UC carpenters


Holly Prochaska (UC) — Preservation Librarian

Custom Collapsible Cradle in a Corrugated Box!

We have many occasions to use cradles.  Including, in the lab while working on delicate materials and for viewing the text of fragile bindings.  In an effort to create a new standard for the lab to store with a book, I revisited the construction of a collapsible cradle that fits inside a corrugated clamshell box.

View of clamshell when lid is opened:Corrugated Clamshell with Integral Cradle

Opening the cradle by lifting the cloth tapes:Corrugated Clamshell with Integral Cradle

Obtuse (left) and acute (right) arm openings are adjustable:Corrugated Clamshell with Integral Cradle

The integral cradle is removable for display! Corrugated Clamshell with Integral Cradle

 
I am intrigued by this integral cradle system for a few important reasons:

  • The cradle is custom fit for the individual book’s opening and is stored safely with the book in the corrugated clamshell so it won’t become lost.
  • The cradle can be made adjustable to accommodate the book’s special handling needs by adding in additional notches.
  • The cradle has a base, making it removable from the box. This enables diversity in placement of the supported book. For example, librarians can remove the cradle from the box for exhibition.
  • This system is light, yet durable.
  • This system is fast and easy to create.
  • This system can be shelved with other books making it easily stored and accessible.

 
Considering all the cradles I have made so far, this one is by far the easiest and fastest to complete!
For a “one size fits all” solution, check out our blog on Elizabeth’s Rideout’s Collapsible Book Cradle.
It has been fun to explore solutions for this support mechanism to strengthen our arsenal of weaponry in the war of conservation!
Chris Voynovich (PLCH) – Conservation Technician

We love artists' books: the finished boxes!

You may recall that back in July I blogged about these two beauties that came to the Lab for custom enclosures.  They both returned to PLCH at the beginning of September in their custom enclosures, so I thought I’d share what type of enclosures we came up with to address all the fragile elements of these particular artists’ books. Continue reading

Frankenscores!

If you read our last blog post you know all about the Public Library of Cincinnati and Hamilton County’s collection of music scores we’re working on here at the Lab. Check out the frankenscores we received in the latest batch – just in time for Halloween!
Music score repairClearly some previous owners worked hard to bring these back to life!
Veronica Sorcher (PLCH) — Conservation Technician

Score!

The Public Library of Cincinnati and Hamilton County has recently set a plan in motion to digitize a collection of music scores. But before they can be digitized, the scores need to cataloged at the item level so metadata can be added to the digital files that are uploaded to the Virtual Public Library. But first, they are traveling to the lab to receive stabilization, to improve legibility, and rehousing. There are more than 200 boxes in the collection, each containing fifty or more scores, so this will be an ongoing project for many months to come. Because there are so many, and the Library would like to have them digitized as soon as possible, the decision was made to keep the treatments minimal –enough to stabilize the materials and render them more legible but no more.
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We love artists' books!

While all the books, documents, and objects that we receive in the lab are interesting and exciting, artists’ books are definitely a crowd favorite, especially amongst the technicians. When Holly and Ashleigh come back from the PLCH rare books meeting and announce they’ve brought back some artists’ book we all get a little excited and know that there are probably some fun cloth covered clamshell boxes in our future. Last week when the techs met with Ashleigh, our conservator, to discuss upcoming projects there was quite a bit of oohing and ahhing when she unwrapped and assembled the two artists’ book they had brought back to the Lab for enclosures.
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Just Can’t Get Enough

For some of us here at the Lab it’s not enough to work with books all day, we even work with them in our spare time!
The Public Library of Cincinnati and Hamilton County collaborates with the Cincinnati Book Arts Society every year to put on Bookworks, an exhibit celebrating the work of book artists. We’re thrilled that four staff members (we’ll always think of Pat as staff, no matter how long he’s retired!) have pieces in Bookworks XVI .
Pat Schmude’s leather-bound “Zombies,” made with techniques learned from bookbinder and conservator Jeff Peachey during a 2013 workshop at the Lab on Eigteenth-Century French Bookbinding.Zombies“The Red Door” is a piece Pat worked on over many years, adding a detail here and there when the inspiration came to him. All of us at the Lab fell in love with it. Don’t you just want to walk through that door and see what new world it takes you to?
RedDoorJessica Ebert’s “Curiosities Behind Glass” shows off the carousel form we learned during our December “fun day” to great effect.
Curiiosities Behind GlassAshleigh’s “Study of Impermanence of Early Contact Printing Photography” is research and binding skill rolled into one!ImpermanenceStudyShe also saved neat old spine linings she had to remove during treatments over her years as a student worker and turned them into a nifty and whimsical documentary for “Spines.”
SpinesMy own wee accordion book, “Wholehearted” uses techniques I learned for toning paper for treatments.Wholehearted
If you’re in the area check out the show in the Atrium at the Public Library’s Main Branch. It’s up from June 10th to September 6th, 2015.
Veronica Sorcher (PLCH) — Conservation Technician