Category Archives: Enclosures

Custom Collapsible Cradle in a Corrugated Box!

We have many occasions to use cradles. Including, in the lab while working on delicate materials and for viewing the text of fragile bindings. In an effort to create a new standard for the lab to store with a book, I revisited the construction of a collapsible cradle that fits inside a corrugated clamshell box.

View of clamshell when lid is opened:

Opening the cradle by lifting the cloth tapes:

Obtuse (left) and acute (right) arm openings are adjustable:

The integral cradle is removable for display!

I am intrigued by this integral cradle system for a few important reasons:

The cradle is custom fit for the individual book’s opening and is stored safely with the book in the corrugated clamshell so it won’t become lost.
The cradle can be made adjustable to accommodate the book’s special handling needs by adding in additional notches.
The cradle has a base, making it removable from the box. This enables diversity in placement of the supported book. For example, librarians can remove the cradle from the box for exhibition.
This system is light, yet durable.
This system is fast and easy to create.
This system can be shelved with other books making it easily stored and accessible.

Considering all the cradles I have made so far, this one is by far the easiest and fastest to complete!
For a “one size fits all” solution, check out our blog on Elizabeth’s Rideout’s Collapsible Book Cradle.
It has been fun to explore solutions for this support mechanism to strengthen our arsenal of weaponry in the war of conservation!
Chris Voynovich (PLCH) – Conservation Technician

We love artists' books: the finished boxes!

You may recall that back in July I blogged about these two beauties that came to the Lab for custom enclosures. They both returned to PLCH at the beginning of September in their custom enclosures, so I thought I’d share what type of enclosures we came up with to address all the fragile elements of these particular artists’ books. Continue reading →

Score!

The Public Library of Cincinnati and Hamilton County has recently set a plan in motion to digitize a collection of music scores. But before they can be digitized, the scores need to cataloged at the item level so metadata can be added to the digital files that are uploaded to the Virtual Public Library. But first, they are traveling to the lab to receive stabilization, to improve legibility, and rehousing. There are more than 200 boxes in the collection, each containing fifty or more scores, so this will be an ongoing project for many months to come. Because there are so many, and the Library would like to have them digitized as soon as possible, the decision was made to keep the treatments minimal –enough to stabilize the materials and render them more legible but no more.
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Just Can’t Get Enough

For some of us here at the Lab it’s not enough to work with books all day, we even work with them in our spare time!
The Public Library of Cincinnati and Hamilton County collaborates with the Cincinnati Book Arts Society every year to put on Bookworks, an exhibit celebrating the work of book artists. We’re thrilled that four staff members (we’ll always think of Pat as staff, no matter how long he’s retired!) have pieces in Bookworks XVI .
Pat Schmude’s leather-bound “Zombies,” made with techniques learned from bookbinder and conservator Jeff Peachey during a 2013 workshop at the Lab on Eigteenth-Century French Bookbinding.“The Red Door” is a piece Pat worked on over many years, adding a detail here and there when the inspiration came to him. All of us at the Lab fell in love with it. Don’t you just want to walk through that door and see what new world it takes you to?
Jessica Ebert’s “Curiosities Behind Glass” shows off the carousel form we learned during our December “fun day” to great effect.
Ashleigh’s “Study of Impermanence of Early Contact Printing Photography” is research and binding skill rolled into one!She also saved neat old spine linings she had to remove during treatments over her years as a student worker and turned them into a nifty and whimsical documentary for “Spines.”
My own wee accordion book, “Wholehearted” uses techniques I learned for toning paper for treatments.
If you’re in the area check out the show in the Atrium at the Public Library’s Main Branch. It’s up from June 10th to September 6th, 2015.
Veronica Sorcher (PLCH) — Conservation Technician

Shrink-wrap, a tool in the toolbox

The Preservation Lab is lucky to have a lot of equipment. One of our more interesting pieces is a shrink-wrap machine. We bring the machine out about once a year when we have a fair amount of bound materials that meet the following criteria:

part of the general circulating collection;
an item with a history of little or low use;
brittle paper, making rebinding or repair impossible or too time consuming;
replacements are not available or prohibitively expensive considering use.

Before the retirement of Pat Schmude, a UCL conservation technician in the lab for 28 years, we brought the machine up so that he could remind us of all the special things we need to do to make it work optimally — all the things you just don’t find in a manual but you know from 20+ years experience.
And of course we did have a little fun…here is my coffee mug shrink-wrapped. I’m trying to give it up…so far I haven’t broken the seal!

Clockwise – The finished product; Pat Schmude and Ashleigh Schieszer; Ashleigh, Jessica Ebert, and Pat; the coffee cup in question; Ashleigh and Jessica; and Chris Voynovich.

Holly Prochaska (UCL) — Preservation Librarian

Housing the Public Library's historic stained glass

When the original Main Library at 629 Vine Street opened to the public in 1873, three beautiful and intricate stained glass windows graced one of the reading rooms in the building. In 1955, when the building was demolished, the windows were sold at auction, later to resurface as part of the decor of the Old Spaghetti Factory on Pete Rose Way. After the restaurant closed to make room for Paul Brown Stadium, the Library purchased the windows and began making plans to return them to the Main Library for the appreciation and enjoyment of our customers and staff. Thanks to the generosity of the Friends and the Annabel Fey Trust Fund, the three windows have now been re-created and restored to their original glory and will be on permanent display in the Main Library.
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Saving the 70's

Recently I’ve had the opportunity to dis-bind a bound edition of our school newspaper, send it off for digitization and then to create a clamshell box to house the single pages when they return. The process of dis-binding bound newspapers is a very delicate one. In this case, The News Record 1971-72, was no exception. Newspapers, by their very nature are meant to be read and thrown away. The paper they are printed on is not meant to last and it fades and becomes acidic and brittle very rapidly. The solution to preserving the paper’s information back in the early 70’s, before digitization was even a thought, was to bind a couple years’ worth of the News Record together in a hard cover much like a large book. This was a good method for preserving a piece of U.C.’s history, however the binding was meant to be permanent and no thought was given to reversing the process at a later date.
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Lab outreach

If there’s one thing we really love, it’s sharing what we know with others. And one of the beauties of being in an academic setting is that opportunities to share sometimes fall right into our laps! We got a chance to play host to two classes of students from the College of Design, Architecture, Art and Planning, who came to learn creative ways to present their work when they went out to hunt for jobs.

The one-hour sessions were packed with information and examples of staff work, from the simple to the sublime; in order to illustrate both what was possible at home with a few tools, and much more advanced projects to aspire to. The students were intrigued with what was presented to them, and asked thoughtful questions. They even promised to show us some of their work! (We have, as of this writing, already received our first image, and it is beautiful indeed.) We’re so glad they came; it’s always a pleasure!
Hyacinth Tucker (UCL) —- Binding Processor

Double Vision

Now on exhibit at the Public Library of Cincinnati and Hamilton County are a collection of stereoview photographs that were treated and rehoused in the Preservation Lab this past winter.
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Wanted! Bench time.

When you work for a large institution sometimes the work one does becomes very specialized and segmented. Often times preservation librarians do very little bench work, while the staff they work alongside spend the majority of their time at the bench or evaluating materials in preparation for the bench. Of course this is necessary to keep all the pieces of a lab in motion; but because one of the most important jobs of a preservation librarian is to advocate for the ongoing stewardship of the collection, and by extension the physical work done in the lab, it is important to me that I spend time at the bench.
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