Tag Archives: Chris Voynovich

Enclosures and the tux box

When in the course of an item’s history it becomes clear that the book or artifact could use extra attention, or just another element of design to aid in its care and preservation, we create enclosures. 

Enclosures create a microclimate that provides a darker more consistent environment for works to be stored in. There are many types of enclosures used for many different reasons, ranging from an impermanent simple paper wrap to more long-term solutions such as cloth covered clamshells.   

We use enclosures to provide a range of protection for their contents.

  • A microclimate providing enhanced consistency concerning heat and humidity fluctuations.
  • A barrier against damaging UV rays.
  • Dust and pest control.
  • A strong support for contents.

Because there is so much documentation done on customized high-end enclosures that require greater skill and experience, such as cloth covered clamshells, I will discuss easy to make, low cost enclosures. To be honest, saving time and money is at the forefront of any business.  Enter the elegant tux box.

A tux box serves admirably the need for a cheap, easy first line of defense. We usually create tux boxes using 20-point Bristol board with measurements custom to the book. The tux box provides an adequate barrier against dust and light.  Another virtue of the tux box is that old books that have suffered degradation and have become brittle are provided a more stable structure for storage and handling. It should be mentioned though that because of the nature of the design, temperature, humidity and some dust and light may enter inside the tux box through the exposed corners, possibly allowing these damaging elements inside.

So, let’s make one.  

First make 3 jigs. The jigs will provide a guide to add extra board thicknesses to our book box dimensions to account for overlapping our boards during folding. We use 20-point Bristol board. Our jigs are three thicknesses – 1 thickness, 2 thicknesses and 3 thicknesses. We’ll label them 1,2 and 3. 

Bristol board jigs, three thicknesses

Let’s also make a handy-dandy information guide that will record all our objects measurements and identifying info on a scrap of bristol board. Record the books thickness (TH), width (W), height (H), call number and title of our book. Use tic marks to record measurements as seen below. This will be useful for quick reference as we create our tux box. 

A paper guide for measuring a tux box, includes height, thickness and width.  Plus name of book and call#

There is a grain direction in Bristol board, (the grain direction is which way the fibers are aligned) for this purpose we will cut 1 length of the Bristol board with the grain running the (H) of our book and 1 length the (W) of our book plus 1 board thickness (W+1BT). 

Use our information guide and jigs to measure, score and fold the horizontal or inner height-based board as follows: (W-1BT), (TH), (W), (TH) then (W-1BT). 

The vertical board, with measurements.

For the outer vertical width-based board we also score and fold starting with an x lightly placed in the corner to identify the outermost flap. With our information guide and jigs and starting from the side with our x we measure, (H), (TH+3BT), (H+1BT), (TH+2BT), (H).  

The horizontal board, with measurements.

Wrap the horizontal piece around the book and then fit it into the vertical part. You can either use double sided tape or PVA to adhere these two together. 

Tux box open position to see where two boards attached.
Here is the tux box in its open position. Note where the two boards are joined – only the panel where the back cover will sit.

Next, the tricky part. Creating the flap to secure its closed position. Measure, mark and cut the tongue on the outermost flap, let’s use a visual for this part.  

Diagram of how to make the tongue that nestles in a slot to keep the box in the closed position.

Lastly, cut a slot for the tongue to fit into which secures the tux box closed. Close the tux box as if it is finished with tongue out. With a pencil draw a light “v” in the corner where the tab lays closed. Open the tab and place 2 small holes with a Japanese hole punch or an awl. Cut 2 lines connecting the holes forming a slot. Fit tab into the slot to close. Feel free to round the corners of the tab and all flaps using a corner rounder. 

You can also customize tux boxes to accommodate a varity of book sizes. No one wants to add an enclosure to their collection that is the size of a miniature book, it would be so tiny it would get lost. We can adapt the enclosure by adding spacers to bring the overall size of the tux box to at least 5”x7”. 

Here is a link to an adaptation made to a clam shell that could also be used in a tux box as well. 

https://www.bac-lac.gc.ca/eng/about-us/publications/electronic-books/Pages/visual-glossary-cased-object-housing.aspx?wbdisable=true

So, the tux box is an easy-peasy solution for an extra layer of strength and protection for its contents. Unlike the Hostess Twinkie, the tux box is not expected to endure the apocalypse. I feel given the cost of materials and time spent to make one, it’s a fine, adaptable addition our enclosure family. 

Chris Voynovich (CHPL) — Senior Conservation Technician

Protectors of the Book: A One-Page Wonder

The Preservation Lab has the opportunity to help host a Book Arts class for UC’s Copyediting & Publishing (CEP) certificate program here in the Lab. We all get to take part in presenting aspects of the history of the book, book arts, preservation and conservation. I LOVE to create enclosures! The engineering that is involved in the creation of unique, custom fitted enclosures gives me great satisfaction and allows me to problem solve. As we were discussing the roles each one of us would play in this course I was happy to find out that I have the opportunity to contribute some information about enclosures. So as little Easter egg to offer as a gift at the presentation I created a one page wonder to give to each student.  Here is the comic in page order:

If you want to print out your own one-page wonder, here is a jpeg in the correct order:
Chris Voynovich (PLCH) – Senior Conservation Technician

Madisonville Scrapbook

What a joy to have had the opportunity to recreate the Madisonville Scrapbook and make a support for it to be permanently displayed in the Madisonville Branch Library.


I love a challenge, and working with oversized pieces is always exhilarating. I am glad to be part of the team that was instrumental in preserving some of the valuable and exciting history of Madisonville. Props to Ashleigh Schieszer (overseer and mastermind), Jessica Ebert (documenter extraordinaire) Catarina Figueirinhas (artwork holder and pillar of steadfastness) and last but not least, Veronica Sorcher (supplying fun and offering her whole self as practical point of reference for the whole project).

Jessica and Veronica assisting Chris with adhering the turn-ins

Jessica and Veronica assisting Chris with adhering the turn-ins

My hope is that this project will be a catalyst for highlighting the importance of caring for and preserving the valuable history found in each community that the Public Library has the honor to serve. Though this project may seem a bit sizable, in truth it was worth the effort. I am confident that every community has remarkable history that can be cared for, as we preserve these stories we remember the events and individuals that have come before us. Let’s partner together to capture aspects of our culture that make up our past.

Veronica kindly obliged to modeling the scale of the scrapbook and its new cradle.

I am humbled and greatly appreciative for the opportunity to work in this department with such a great staff, and to be instrumental in preserving great works of art and historical information.

Before

After

Please click on the following link to download a one-page wonder zine about the preservation of the Madisonville scrapbook that you can cut, fold, and DIY!

ScrapbookOnePgWonder_CV_withInterior

Chris Voynovich (PLCH) – Senior Conservation Technician

Celebrating Innovation

On Nov. 1st in Langsam Library, Preservation Librarian, Holly Prochaska was mentioned at the UC Bicentennial publications reception for her essay titled, Serendipity and Stewardship as part of UC Libraries commemorative book, From the Temple of Zeus to the Hyperloop: University of Cincinnati Stories, edited by Greg Hand.  Her essay describes how the first-ever collaborative lab came to fruition in Cincinnati, OH and is accompanied by an array of essays written by varying authors who highlight innovative leadership in Cincinnati, including one essay by Archives and Rare Books Librarian, Kevin Grace, whose stories are always captivating.

During the bicentennial reception we also learned how Greg Hand’s anthology of over 30 essays complemented Professor David Stradling’s publication about Cincinnati’s historical celebrity, Daniel Drake.  Known for many accomplishments, I was surprised to learn how Drake played an instrumental role in the formation of the first public lending libraries in Ohio!   Stradling’s book, In Service to the City: A History of the University of Cincinnati, is an in-depth dive into Drake’s wide reaching influence in the 19th century.  Drake’s legacy and passion may be of interest to innovators today.  As a contemporary innovator, it’s easy to see why Holly was invited to write about her leadership role in the formation of the collaborative lab, as well as how nicely these books complement one another.
Meanwhile, at the Public Library… On Sunday, Nov. 4th, Public Library staff were given commemorative pins to celebrate milestone years of employment at the Staff Retiree and Recognition Reception.  Of particular mention…Chris Voynovich received a 2018 Rufus Award and was honored for 20 years of employment at the Public Library of Cincinnati and Hamilton County.  Nominated by former Senior Conservation Assistant, Veronica Sorcher, the Award recognized Chris in the category for Growth and Innovation for his work on preserving the oversized Madisonville Sesquicentennial scrapbook from 1959!  After a year of collaboration between the Madisonville Branch and Digital Services, the scrapbook was digitized, conserved, and returned home in improved condition with a brand new custom cradle, approximately 4 feet long.   Way to go, Chris!
Having only been gone a few short months, Veronica’s nomination of her colleague, Chris Voynovich, is a nostalgic reminder of Veronica’s thoughtful contributions she’s made over the last seven years at the Preservation Lab.  In Chris’ words, “I was blown away and almost fainted when the Director of the Library walked in the department to give me a Rufus award!”  Veronica, we’re wishing you well as you settle in near family in Nova Scotia!
Ashleigh Schieszer (PLCH)  —-  Special Collections Conservator, Lab Manager

Comics by Chris

Check out the latest comic creation from our conservation technician, Chris Voynovich [PLCH], inspired by a recent enclosure project for Hebrew Union College…

“Loving the Japanese Style Cloth Covered Four Flap Enclosure with Bone Clasps” by Chris Voynovich


Want to create your own one page wonder of this fantastic comic?Go right ahead, print double sided to include The Preservation Lab information and links —OnePgWonder_JapaneseStyle4FlapWithInterior

Open House Success

A big thank you to everyone who was able to attend our Preservation Week Open House last Thursday!  It was a great success and we all had so much fun sharing what we do with everyone.  If you were not able to attend, we wanted to share the awesome comic that our very own Chris Voynovich (conservation technician) created just for the event.

ScrapbookOnePgWonder_CV_withInterior

Attendees were able to create their own one-page wonder featuring this comic and then had a chance to flip through the Madisonville Branch Library’s scrapbook that inspired the comic. Those who attended were also able to explore various artist book structures by viewing and handling (and in some cases, just admiring from a far) collection items from the DAAP Library’s artist book collection.  The evolution of the book was a central theme with attendees learning about pre-codex structures (like cuneiform tablets and scrolls), early codex structures (with a foray into medieval bindings and parchment), and modern structures like the ever complex scrapbook.  Attendees were able to stamp their own book mark, featuring a quote by P.J. O’Rourke, and learn about RTI, how the lab has improved their capture process, and view the results from a recent RTI project featuring cuneiform tablets.  And of course, attendees were able to grab a Busken cookie featuring our Preservation Lab logo.  It was a great event!

Make sure to mark your calendar for 2019 Preservation Week (April 21–27) so you can come down, visit the lab, and see the cool stuff we’re working on.  I’m also working on a little video of the event, so stayed tuned and check out our MediaSpace channel for updates in the near future.

Jessica Ebert (UCL) – Conservation Technician & Lead Photographic Documentation Tech

Pleasant surprise

I just want to take a moment to say – sometimes a little surprise can be so satisfying!
We’ve all been there, approaching a task where we see the beginning but not the end.
Well I’m here to tell you there is hope in the darkness. Occasionally delamination can be a real struggle. Sometimes you know what is underneath, sometimes you don’t.
But when you start the work, and occasionally you get a pleasant surprise.

 
 
 
 
 
 
Yay!  And now I think it’s going to be a good day!

 
Chris Voynovich (PLCH) —- Conservation Technician

The Preservation Lab…in the news

Check out this new article about the work of the Preservation Lab by our collaborator Melissa Norris, with assistance from Ashleigh Schieszer, Jessica Ebert, and Kevin Grace at https://libapps.libraries.uc.edu/source/preserving-taft/.
Isn’t Preservation just so cool!

Conserving a head sculpture.

Ashleigh Schieszer works on Taft’s maquette. (Photo credit Jessica Ebert)


And for our loyal followers a bonus image of the housing of the William Howard Taft letters…
Taft letters bound

Encapsulated binding by Chris Voynovich, design by Ashleigh Schieszer (photo credit Jessica Ebert)


 

Nineteenth Century Buddhist Religious Treatise

Palm leaf manuscriptIn August of this year, the Lab received a Palm leaf book from Archives and Rare Books library during one of our usual monthly meetings. This item was brought to the Lab to receive a new enclosure for a better long-term preservation storage and easier access. Along with a new enclosure, the Lab was asked to create two surrogates of one of the original Palm Leaves for classroom use.  Under the direction of Ashleigh Schieszer, lab conservator, technician Chris Voynovich constructed the housing working closely with Catarina Figuierinhas who created the surrogate leaves.
Palm leaf

Creating Surrogates

In order to create an accurate surrogate of one of the Palm leaves, the Palm leaf book was taken to the University of Cincinnati Digitization Lab to be photographed with a PhaseOne Reprographic System. This system includes 60 MP PhaseOne digital back, DT RCam with electronic shutter, Schneider 72 mm lens, and a motorized copy stand. At the digitization Lab, one of the Palm leaves was digitized, recto and verso. The collaboration between labs allows the Preservation Lab to obtain a great quality image of a Palm leaf to print a high quality surrogate.
i37044734_1197_dig01ni37044734_1197_dig02n
Once the Preservation Lab received an image with enough quality to work with, the process of creating a surrogate started.
In order to create a surrogate, it is important to have in mind several different aspects such as the purpose of the surrogate and the physical characteristics of the original object (texture, thickness and colors). When thinking about the purpose of the surrogate one has to answer questions such as: Is the surrogate going to be displayed or handled?  If so, how?  Behind a glass case? Will it need a presentation enclosure?
In this case, the purpose was for the librarian to be able to show a “real” palm leaf page without having to actually handle the original fragile leaves.  Also, having a surrogate of a palm leaf would allow patrons and scholars to handle a replica of an original object without having to unwrap and open the book.
Our goal was to create two surrogates; one in color, true to the original Palm leaf page; and _dsc1362another black and white, allowing the writing to be read easier.
Since we wanted to create a surrogate as identical as possible to the original, it was necessary to study the original object’s texture and thickness, as well as consider specific details such as gilt edges or punched holes.
The first step was to select several papers to test for printing.  Selected papers had a similar texture and thickness to the original Palm Leaf and/or were selected because they contained a handy ICC profile.
Once the papers were chosen for texture, thickness and color profiling, the image obtained from the Digitization Lab was enhanced in Adobe Photoshop CC 2015 and several surrogate samples were printed using a P7000 Epson Printer pigmented ink jet printer.

Middle holes were punched with a Japanese hole punch.

Middle holes were punched with a Japanese hole punch.


Surprisingly, papers containing ICC profiles did not necessarily produce a more accurate color representation.
Finally, after several trials and errors, a different paper was chosen for each surrogate. The colored surrogate was printed on an archival UltraSmooth Fine Art Epson paper.  The black and white surrogate was printed on an acid-free Curtis Brightwater Artesian white smooth paper.
Edges of the colored surrogate were pained with iridescent gold acrylic paint.

Edges of the colored surrogate were pained with iridescent gold acrylic paint.


Once the surrogates were printed and cut to the exact dimensions, the final finishing touches were made. On both surrogates, the middle holes were punctured in the same fashion as the original palm leaf.  For the colored surrogate, the edges were colored with an iridescent gold Golden High flow Acrylic.  Once the surrogates were complete, the process of constructing an enclosure for both the surrogates and the original object began.
 
 

Constructing a new enclosure

I’ve heard the joy should not be in the finished product but in the process. I have to say I agree with that theory. I love receiving a challenge like this and pounding out a solution. This particular enclosure had many facets which turned out to be exciting as well as rewarding to problem solve together with lab staff.
plam-leaf-3
Using a structure engineered by our lab conservator, first, I created a double-sided sink mat with two open windows to display both sides of the two surrogates.  Rare earth magnets were introduced as fasteners to hold the objects secure inside each mat. The surrogates are supported and viewable through a Vivak and polyester transparent L-sleeve, which is removable.   The Vivak and polyester sleeve was welded together on the lab’s Minter ultrasonic welder.
i37044734_1197_d05n_surrogate_packing_1
Volara supports were constructed to cradle the book so the gilding would not touch any abrasive surfaces, and so there would be a support for the cover once opened. The surrogates help provide information to patrons without causing wear and tear on the fragile book through handling. Originally, we considered storing the surrogates in a tray below or above the book to conserve shelf space, however by arranging the mats next to the object, they could immediately be on display when the enclosure is opened.  I am pleased with the outcome.  It is now possible to enjoy all the parts of this amazing work within the enclosure itself while minimizing the opportunity for damage, as well as providing a “wow!” factor.
i37044734_1197_d02n_packing_1i37044734_1197_d03n_packing_1

Final enclosure with the original palm leaf book and surrogates.

Catarina Figueirinhas (UCL) — Senior Conservation Technician

Ashleigh Schieszer (PLCH) — Book and Paper Conservator

Chris Voynovich (PLCH) — Conservation Technician

Photo credit:  Jessica Ebert (UCL) — Conservation Technician

 
 

We love artists' books!

While all the books, documents, and objects that we receive in the lab are interesting and exciting, artists’ books are definitely a crowd favorite, especially amongst the technicians. When Holly and Ashleigh come back from the PLCH rare books meeting and announce they’ve brought back some artists’ book we all get a little excited and know that there are probably some fun cloth covered clamshell boxes in our future. Last week when the techs met with Ashleigh, our conservator, to discuss upcoming projects there was quite a bit of oohing and ahhing when she unwrapped and assembled the two artists’ book they had brought back to the Lab for enclosures.
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